Den romantiska postmodernismen : konstkritiken och det romantiska i 1980- och 1990-talets svenska konst

Through a study of the reception that art critique gave the exhibition project Ibid. ( Stockholm 1982 1983 ) and the oeuvres of the artists Ola Billgren, Dick Bengtsson and Max Book, this thesis examines the way art critics dealt with the romantic in Swedish art during the 1980s and 1990s, the time when post-modernism was debated in Swedish cultural life.